Sorry for the temporary hiatus, folks. T and I have been incredibly busy over the past few weeks with work, life, love, action, romance, and everything in between. We now return to your regularly scheduled blogging.
Should schools start
using graphic novels in their English and literature classes? Well, technically, should they make alternative mediums a crucial part of the curriculum? The Newsarama blog linked to an interesting
article about it. Here's the kicker: it's told in the form of a comic book! Clever, huh?
I think that treating graphic novels as literary sources, especially for children in early ages, is a great idea. Younger kids find it easier to associate words with images.
Art Spiegelman, notable writer of the famous novel,
Maus, has even begun putting out a line of comics for children, in an effort to help expand their English skills and take an interest in reading.
Of course, there are critics. From Newsarama's link:
The only one who should use a graphic novel in school might be K-2, to ensure competence and retention of the new language. Anyone beyond that grade should be reading progressively higher forms of English text. What will they all do when they have to read Legal and Medical journals; convert them into Graphic Novels; oh I forgot, we won’t be producing any Doctors or Lawyers or Engineers, because THEY CAN’T READ!
This makes no sense to me. Critics of education with graphic novels seem to all think that there would be some slippery slope that would eventually lead to the diminished use of classic literature and standard books. I don't think this will happen. And I don't even think the comment about doctors, lawyers and engineers warrants a response beyond this acknowledgement of its absurdity.
True, graphic novels have their limits--though they contain heavy exposition, narration, and dialogue, they do sacrifice a great deal of English grammar and punctuation, since dialogues appear in thought bubbles. Of course, the same can be said about many forms of literature that do not come delivered in the typical book package. Take plays, for instance, which focus more on dialogues and monologues, than exposition.
All in all, I'm in favor of trying the graphic novel approach as a supplement to the classics and standards. Sure, there will be the conservative critics fearful of the year-3000, experimental approaches, but we have no substantial reason to suspect that graphic novels are any worse a medium than others.